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I stare at the screen, the blinding white of the blank word document glares at me mockingly. My fingers test the flat sea of letters, searching for words to magically form and give a direction as to where to take this little journey.
“Once upon time….”
No, no, no that’s wrong. This isn’t another fairy tale about pumpkins and princes.
How about...
“His red eyes glistened. I couldn’t say anything, I didn’t want to. All I wanted was him. He was my world, no matter if one touch, one kiss could kill me. His hands found their way into my hair as his lips teasingly walked across the edge of my throat. Before, I could tell him to do it already, his fangs broke the skin of my throat.”
What the hell?! Wait, I can’t do another Stephenie Meyer story.
Idwoiqueoqwuoieuqiwoeuoiqweuioqwuoeiudiowqu9e8128e1uiojalkwqdjlkqwjedkqwe;wkl;qe!!!!!
Think. Think. Think.
Maybe I should write about that…that would be original right? Thinking? No one’s ever written about thinking.
“I think I can. I think I can.”
Oh, God...This. Is. Futile.
The idea of originality is often seen as a pointless journey to embark on. Why attempt originality if all that we know are adaptions? But, is everything we know truly an adaptation? Can we not claim that there are original stories, and can adaptations have some measure of originality?
The idea of originality existing ranges from person to person. Some say that there is one ultimate story, that each adaptation stems from. They argue that adaptations could not have been formed without a source to adapt off of. However, there are others who argue that originality is possible, that in being created in one's own mind and out of one's own feelings and ideas something can be original because in essence it belongs to us. Furthermore, the issue is a society that is accustomed to adaptations rather than an original story.
One of the biggest concerns a professional writer has is if his or her story is original enough for someone to pick off of a bookshelf in a world accustomed to adaptations. Some would argue that if a story is original, a writer would not have to be concerned about such a matter. However,the question arises again, "Does originality even exist?"
The answer to this controversial question is yes and no. Those who favor the idea of there being an original story are correct in thinking that adaptations must have derived from an original source. In other words, an outcome must have a source. Furthermore, originality to some extent does not exist. However, what does this say for every story ever written? If they are all linked to one source, can one ever create something original. The answer is yes.
I believe that different stories can all be utilized and brought together to form an original story. In essence, the original outcome will have derived from adapting off of other stories, yet in combining those different attributes, something else, something original is created. It is all a matter of taking given stories and making it one's own.
One can see this simply in Bram Stoker's Dracula.
There are many adaptations of Stoker's undead that seek blood to walk among the living. True blood, Twilight, Vampire Diaries are among the many. However, like Stoker's Dracula they stem essentially from an original story that set the idea in motion. However, each creator of the new adaptations make each story original by transforming the old story into something new. Yes, the stories remain true to the basic concept of their being those who are undead and drink the blood of the living in order to live for eternity. However, each adaptation brings something new to the essential story of the vampire.
One example that comes to mind, is Richelle Meed's
Vampire Academy. The story involves vampires who seek to escape from a darker type of breed of vampires called Strigoi. The Strigoi, unlike the Moroi vampires, drink the blood of and kill innocents human beings as well as Moroi. The Moroi, instead, drink blood from humans who are willing to give blood. yet they refuse to take human lives. Moreover, they have special powers that can either be the element of water, earth, fire, air, or spirit. To throw an even more rare concept into the plot, the Moroi are protected by dhampirs , a breed of super humans who are the offspring of humans and vampires.
Meed stays honest to the idea of there being vampires who drink human blood to stay alive. However, although she clearly uses Stoker's idea as the foundation of her story, she utilizes it to make her own. Furthermore, I believe there is an ultimate original story, but one has the opportunity to not let the original story define one's own entire story. Writer's have the chance of creating an original adaptation.